The Creation Of The Composition Of The Musical Work Of Kemepyar As Representation Of Traditional Music Diversity
DOI:
https://doi.org/10.58344/jws.v3i11.686Keywords:
creation, beauty, diversity, traditional music, culinaryAbstract
The creation of the work "kemepyar" is a response to the typical archipelago food containing many spices, one of which is soto. Soto is made from a variety of spices and spices from all corners of the country, be it in the form of tubers, leaves, grains, and so on. The mixture of various Indonesian spices produces a distinctive taste and makes the body feel warm and fit. This was used as an inspiration for the creation of the artwork entitled Kemepyar. Kemepyar is a term used by Javanese people to describe a situation that very bright, clear, warm, satisfying, satisfied, and delicious in enjoying a dish of food or drink with a fresh taste. The musical idea of the work comes from Javanese gamelan and Macapat dhandang gula. Musical idioms use Javanese, Balinese, Kalimantan, and Sumatran karawitan. Meanwhile, the medium of cultivation uses gamelan, swipe instruments, saxophone blowing instruments, and tambourines. The purpose of creating this work as a form of response to the social environment, in this case the diversity of spices/spices used in soto dishes as a representation of ethnic diversity and traditional music in Indonesia. This work is useful as a stimulus for Music Composition students to create works derived from the phenomenon of daily life, in this case food. The method of creation was chosen to realize the phenomenon of food diversity of soto spices into the form of musical works. The creation process consists of initial stimulation, idea emergence, exploration, improvisation, formation, and presentation.
References
Hidayat, M. T., Hasim, W., & Hamzah, A. (2020). Pembelajaran Daring Selama Pandemi Covid-19: Solusi atau Masalah Baru dalam Pembelajaran? Journal Civics and Social Studies, 4(2), 47–56.
Irawati, E. (2016). Transmisi kelentangan dalam masyarakat Dayak Benuaq. Resital: Jurnal Seni Pertunjukan, 17(1), 1–18.
Irawati, E. (2019). A transmission of Kêlèntangan music among the Dayak Bênuaq of East Kalimantan in Indonesia. Malaysian Journal of Music, 8, 108–121.
Irawati, E. (2020). Transmisi, musik lokal-tradisional, dan musik populer. Panggung, 30(3), 519850.
Irawati, E., & Barnawi, E. (2021). Penciptaan dalam Etnomusikologi? Journal of Music Education and Performing Arts, 1(2), 41–46.
Kamien, R., & Kamien, A. (1988). Music: an appreciation. McGraw-Hill New York.
Pramudya, N. A. (2019). Penciptaan Karya Komposisi Musik Sebagai Sebuah Penyampaian Makna Pengalaman Empiris Menjadi Sebuah Mahakarya. Gelar: Jurnal Seni Budaya, 17(1), 14–23.
Rahmat, S. P. N., Saad, S. Bin, & Irawati, E. (2022). Typological Analysis of Metalhead Community’s Logo as Visual Communication During Covid-19 Pandemic. Journal of Urban Society’s Arts, 9(1), 33–47.
Satriana, R., Haryono, T., & Hastanto, S. (2014). Kanca indihiang sebagai embrio kreativitas mang koko. Resital: Jurnal Seni Pertunjukan, 15(1), 32–42.
Supanggah, R. (2009). Bothekan Karawitan II: Garap. Surakarta: ISI Press Surakarta.
Wardani, F. P. (2020). Pergeseran Paradigma Seni di Tengah Pandemi dan Masyarakat Agorafobia” dalam Mikke Susanto, M. Kreativitas & Kebangsaan: Seni Menuju Paruh Abad XXI. Yogyakarta: BP ISI Yogyakarta.
Zizek, S. (2020). Pandemik! Covid-19 Mengguncang Dunia. Diterjemahkan oleh Khiril Maqin, Penerbit Independen, Yogyakarta.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Eli Irawati, Warsana Warsana
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International. that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
